Monday, September 15, 2014

TRYING TO PUT IT 
INTO WORDS.......


Poem for Today - Tuesday - September 23, 2014



THE DICTIONARY FOR LOVERS

I've always thought of writing a dictionary for lovers—
my friends, the lovers.
I've always thought of making them happy,
those marvellous people ... thought of
lighting a small lantern
for the lost thousands,
and making my heart
a wheat field for all the hungry.
I 've always considered making my eyelids
a sheet to throw over the weary
and finding out
where the birds of sadness come from
and when the trees of longing bloom.
Considered discovering what fire has burned us
for millions
of years.
I have, without a doubt, been a big fool
calling myself
the official spokesman of lovers.
Can it happen?
Is it possible to hold the sea in a bottle—
imprison jasmine?
Can the flowers of love be compressed
in one book?
I ask mercy from the God of all!

(1981)

© Nizar Qabbani (1923 -1998)
Pages 100-101 in
When the Words Burn,
An Anthology of Modern
Arabic Poetry: 1945-1987,
translated by John Mikhail Asfour


SALEM:
TRANSLATION "PEACE"

Poem for Today - Monday -  September 22, 2014



JERUSALEM

I cried till there were no more tears,
prayed till the candles melted, knelt till kneeling bored me.
I asked about Muhammad in you, and about Jesus.
Jerusalem, City which smells of prophets,
shortest of roads between the earth and the sky
Jerusalem, lighthouse for ships,
beautiful girlchild with burnt fingers—
Your eyes are sad, City of the virgin,
luscious garden where the prophet passed.
The stones of the streets,
the minarets of the mosques, are sad.
Jerusalem, beauty wraps in black:
Who rings the bells in the Church of the Resurrection
Sunday Mornings? Who carries the toys to the children
Christmas night?
Jerusalem, city of grief,
large tear that roams under the eyelids:
Who repulses
your enemies, O pearl of religions?
Who washes the blood from the stones of the walls?
Who salvages the Bible
Who salvages Christ from his assassins?
Who salvages man?
Jerusalem, my city
Jerusalem, my love
Tomorrow, tomorrow the orange trees will bloom
and the green wheat rejoice,
and eyes and olive trees will laugh.
Migrating doves shall return
to the blessed rooftops
and children will come back to play.
Fathers and sons will meet
on your tall hills, my country,
country of peace and olive trees.

(1968)

© Nizar Qabbani (1923 -1998)
page 100 in When
the Words Burn,
An Anthology of
Modern Arabic Poetry: 1945-1987,
translated by John Mikhail Asfour

GOD’S WAYS
ARE NOT MY WAYS

INTRODUCTION

The title of my thoughts for today is: God’s Ways Are Not My Ways.

The heart of prayer is for the human being to shut up and listen to the heart of God. It’s as simple as that. And in prayer, we find out what Isaiah found out in prayer. I am not God. God is other and God has ideas and thoughts and loves of his own and they are not the way I think and feel and love and see. In prayer Isaiah heard these words, 

          “My thoughts are not your thoughts,
          nor are your ways my ways, says the Lord.
          As high as the heavens are above the earth,
          so high are my ways above your ways
          and my thoughts above your thoughts.”

This morning I’d like to reflect briefly on that reality: “God’s Ways Are Not My Ways.”

Or shut up and discover you’re not God.

TODAY’S GOSPEL

Today’s gospel gives a concrete example of what Isaiah heard in the principle that God’s Ways Are Not My Ways. It’s the Parable of the Generous Vineyard Owner.

George McCauley said, “If Jesus got killed for any single teaching, the teaching in today’s gospel might have been the one.”

Doesn’t God have the right to do what God wants to do? We cry for that gift for ourselves, yet we often don’t want or don’t allow God to be God. We want God to fit into our image and likeness. Isn’t that a horrible form of idolatry? And of course, God laughs at us and his laugh can be heard in the halls of prayer.

Don’t we get angry when others peg us, when others try to mold us, when others try to shackle us, when others try to force us to do what they want us to do, when others want us to be what they want us to be, when they want us to be in their image and likeness?

Doesn’t every man and woman grow up fighting their parents dictum: “My will be done.”

The boy whose father is an admiral doesn’t want to go to Annapolis. The boy whose father is a surgeon doesn’t want to go to med school. The daughter whose mother was an Olympic diver or gymnast, doesn’t want to spend hours and hours on becoming an athlete.

We want to choose our own salad dressing, our own college, our own hair style, underarm deodorant, our own future and our own friends.

THE OTHER IS FREE

One of the great learnings in life then is not only allowing another person to be free, but that the other person is free: free to choose, free to do what they want to do.

Yet people spend millions of dollars for cosmetics, cars, clothes, dinner engagements, health spas, weight loss to get another to like and love them.

Yet people spend millions of pounds of psychic energy planning and trying to get others to love them.

Yet people spend millions of units of time on phones, writing letters, visiting others, to get them to love them.

And the crash comes when we discover that love is free. If another loves us because of looks, cars, clothes, age, money, etc. all that can crumbles in an earthquake. Relationships need to be built on love that is free. Those are the best relationships. Those are the kind of relationships that stand in the test of time.

GOD

So too with God. God is free to love as God wants to love. God chooses. And all this is mystery and it causes anger and frustration. Yet look around. Go to class reunions. Look at who married whom. You'd be surprised. Some people settle in Scranton and some settle in Seattle or Sacramento. Life is funny. Choices are funny.

Can’t we allow God a sense of humor. Can’t we allow God to choose his friends. Can’t we allow God to do life as God wants to do life - to give some people more than others.

TODAY’S GOSPEL

So once more, once again, we come back to today’s gospel. We see that God has a sense of humor. God isn’t fair. Love isn’t fair. God has favorites. God plays favorites. God is free to do what God wants to as God. If God wants to make penguins and hippopotamus’, monkeys and octopus’, then God can make all of the above and all of the below - funny birds of the sky, fascinating fish of the sea and those who walk or run or slide along the surface of the globe.

US AGAIN

We want that freedom for ourselves, let’s let God have the same.

The heart of prayer then is letting go and letting God - letting God be God. The heart of love is being loved not because of anything we do, but because the other chooses to love us.

And that’s the shock of love: to find out that we are loved by another - and we had nothing to do with it.

CONCLUSION


And the greatest shock is that we are loved by God, not by any thing we do, but because God simply loves us. Sit in prayer and you’ll begin to hear the sounds of love: God’s love for you and maybe God’s love for the other person as well as that crazy guy you read about in the morning paper.

AH SWEET MYSTERY 
OF LIFE .... I STILL 
CAN'T FIND YOU 




Poem for Today - Sunday - September 21, 2014

THE GAME

When the travelling planes pass at great altitudes
over distant villages
the children halt their play
and raise small hands over their eyes
to view the beautiful travelling toy

and as soon as it disappears behind some scattered clouds
they rush along in full force
after a torn ball
and repeat short songs

but no one knows
where their lyrics come from.

(1978)

© Banda ‘Abd al-Hamid [1957- ]
in When the Words Burn,
An Anthology of
Modern Arabic Poetry: 1945-1987,
translated by John Mikhail Asfour
Page 129





BE OF HATE 
A LITTLE MORE CAREFUL 
THAN ANYTHING 

Poem for Today - Saturday - September 20, 2014



WHEN I KILLED MY LOVE

I hated you, till there was nothing
but my terrible hate to converse with.
Into it I poured tomorrow's blood
and drowned my present.
I fed it the fire of curses, revolution and revenge,
inflicted my cries of hatred upon it in my dark song,
sustained it with the sleep of the dead
and drew a curtain of ghosts and gloom around it.

I despised your name,
its shadows and echoes.
I loathed its colour and tune,
rhythm and form
and the rough memories
which fell, were consumed
and dwelt in eternity all in a moment:
and I was resurrected as a new poem
which says that the past is only a word.

Victory was mine as you fell,
a statue over a cliff.
I came to bury the pieces under the grief of the cypress.
Hungrily my spade split the earth,
and touched
a cold and frightful foot.
I proudly dragged to the light
—Whose corpse? the remains of regret ...
The night was a mirror where I beheld my hatred
and my dead past, but not the centre of my being.
I knew then,
having killed you in my cup and night
and borne my murdered slowly to the grave—
knew, by the lugubrious hue of my face
that I had only killed myself.

(May 12,1952)

© Nazik al-Mala’ika (1923-2007)
pages 78-79 in When
the Words Burn,
An Anthology of
Modern Arabic Poetry: 1945-1987,
translated by John Mikhail Asfour
SOMETIMES SECRETS
ONLY COME
AFTER THE FALL


Poem for Today - Friday - September 19, 2014

THE FALL

I live between the fire and the plague
with my language—with this mute universe.
I live in the apple garden and the sky,
in the first joy and the first despair,
in Eve's arms
a master of those cursed trees,
a master of the fruits,
I live between the clouds and lightning
in a growing stone, in a book
that teaches the secrets and the fall.

(1961)

© Adonis (‘Aku Ahnad Sa’id) [1930- ],
pages 161-162, in
When the Words Burn,
An Anthology of
Modern Arabic Poetry: 1945-1987,
translated by John Mikhail Asfour



EVERYONE TAKES THEIR TURN 
AT BEING NOAH

Poem for Today - Thursday - September 18, 2014



THE NEW NOAH

We travel in the ark with our God-promised oars,
alive under the rain
and mud, while others die.
We travel with the waves, and the dead
are strung across the horizon; we link our lives
to theirs. Between us
and the sky is a window to pray from:
`O God, why did you save us alone
of all people and creatures?
Where will you send us—to your other land?
To our own country
and the leaves of death, the wind of life?
O God, in our veins we fear the sun,
we despair of the light; we dread a tomorrow
where life must be started all over again.'

We travel in the ark with our God-promised oars,
and under the rain
mud embraces the eyes of others.
In mud they have perished, while we are saved
from the deluge: the seeds remaining
in this bowl that turns, or does not turn.
`Had we never become the seed
of creation, for the earth and its generations—
had we never been dust
or cinders, but remained in some limbo
we would never have had to see the world, its hell
and its God, twice.
O God, put us to death with all the other creatures.
We long to be what we are not, long to be
dust. Do not give us life!'

If time rolls back to the beginning
and water immerses the face of life again,
if the universe trembles and God hastens to ask me:
'Noah, save the living!' I will not heed His words.
I will come in my ark with a poet
and a free rebel;
we shall travel together
careless of God's words.
We will open our hearts to the flood,
dive in the mud and strip pebbles
and clay from the eyes of the floating;
we will whisper in their veins that
we have made the ascent,
emerged from the cave,
and changed the course of time.
We have not bent our sails to fear
or listened to God's words.
Death is our rendezvous, and our shores
a familiar despair; we have accepted
its icy sea, its new waters;
we have crossed and reached its end.
Heedless of that God,
we long for a new one.

(Spring 1958)

© Adonis (‘Aku Ahnad Sa’id) [1930- ],
pages 160-161, in
When the Words Burn,
An Anthology of
Modern Arabic Poetry: 1945-1987,
translated by John Mikhail Asfour

Painting on top by J. M. W. Turner,
We  saw this at the Tate Museum in
London - just two weeks ago 
at  a special  exhibition
entitled, "The EY Exhibition,
Late Turner, Painting Set Free".
The title of this painting is,
Light and Colour (Goethe's Theory) –
 The Morning after the Deluge –
Moses Writing the Book of Genesis - 
exhibited in 1843 for the first time.