March 25, 2022
“Returning in 1894 from an inspiring trip to Pikes Peak
in Colorado, a minor New England poet named Katharine Lee Bates wrote a verse
she titled ‘America.’ It was printed the following year in a publication in
Boston to commemorate the Fourth of July.
“Lynn Sherr, the ABC News correspondent, has written a
timely and deliciously researched book how that verse was written and edited
and how it was fitted to a hymn called ‘Materna,’ written about the same time
by Samuel Augustus Ward, whom the poet never met. In America the Beautiful: The Stirring True
Story Behind Our Nation’s Favorite Song, Sherr reveals rewriting by Bates
that shows the value of working over a lyric.
“’O beautiful for halcyon skies,’ the poem began. Halcyon
is a beautiful word, based on the Greek name for the bird, probably a
kingfisher, that ancient legend had nesting in the sea during the winter
solstice and calming the waves. It means ‘calm, peaceful’ and all those happy
things, but the word is unfamiliar and does not evoke the West. Spacious,
however, not only describes Big Sky country but also alliterates with skies, so
Bates changed it.
“The often unsung third stanza contained a zinger at the
acquisition of wealth: ‘America! America! / God shed his grace on thee/ till
selfish gain no long strain / The banner of the free!’ Sherr writes that Bates,
disillusioned with the Gilded Age’s excesses, ‘wanted to purify America’s great
wealth, to channel what she had
originally called “selfish gain” into more ennobled causes.’ The poet took
another crack at the line that der-ogated the
profit motive, and the stanza now goes:
‘America! America / May God thy gold refine / Till all success be nobleness / And every gain
divine!’
“The line that needed editing the most was the flat and dispiriting
conclusion: ‘God shed his grace on thee / Till nobler men keep once again / Thy
whiter jubilee!’ That cast an aspersion
on the current generation, including whoever was singing the lyric. The wish
for ‘nobler men’ to come in the future ended the song, about to be set to Ward’s
hymn, on a self-depreciating note.
“In 1904, ten years after her firsts draft, Kathleen Lee
Bates revised the imperfect last lines of the final stanza. The new image called up at the end not only reminds
the singers of the ‘spacious skies’ that began the song but also elevates the
final theme to one of unity and tolerance.
Her improvement makes all the difference, especially in times like these:
America! America!
God shed his grace on thee
And crown thy good with brotherhood
From sea to shining sea!”
God shed his grace on thee
And crown thy good with brotherhood
From sea to shining sea!”
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